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In sports, “ aging curves” can illuminate the typical trajectory that an athlete’s performance follows: improvement to a point, then a plateau, and eventually erosion as time takes its toll. But we can examine whether the growing pains that Apatow described-and the hypothetical decline that Rogen alluded to-are typical of TV shows on the whole. We’ll never know whether Freaks and Geeks could have kept its quality from dipping amid (and beyond) the acid trips and pregnancies planned for its second season.
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As series costar Seth Rogen said, “Shows often get terrible.” Average IMDb user rating throughout the series’ lifespan Freaks’ cancellation came at its creative apex, but the documentary’s closing comments put a positive spin on the show’s untimely end: At least it didn’t linger long enough for its quality to be tarnished. And if you watch the episodes, you can feel us finding it.” The series’ seven strongest episodes, according to IMDb users, all came in the second half of the season, and the finale, “Discos and Dragons,” is the highest rated of all. “We weren’t sure what it was in the beginning,” executive producer Judd Apatow said in the documentary. Yet even over those 18 episodes, Freaks and Geeks evolved. As a result, the series spanned only a single season, with its 18 episodes airing irregularly from 1999–2000. As the Cultureshock retrospective explains, the uncompromising picture of adolescent life that made the series special also made it more difficult for Freaks to connect with contemporary audiences (and some network executives). Earlier this month, A&E aired an hour-long documentary about Freaks and Geeks, the beloved high-school dramedy that launched several slacker/outcast-comedy careers.